Play on Italy's stages
Theatres across Italy — from grand opera houses to city theatres programming concerts and live shows
Every theatre in Italy, listed and verified: from opera temples to municipal theatres programming concerts, recitals, musicals and live shows all season long. Your gateway to touring in Italy.
Actual volume in database: 491 contacts
Sources: data.gouv.fr · IPA · OpenStreetMap
| Name | City | |
|---|---|---|
| Teatro Manzoni | Milano | i***@teatromanzoni.it |
| Teatro Vittoria | i***@teatrovittoria.it | |
| Teatro della Memoria | Milano | i***@teatrodellamemoria.it |
| Auditorium Conciliazione | b***@supermagic.it | |
| Teatro Sanbàpolis | Trento | i***@centrosantachiara.it |
| Teatro San Marco | i***@teatrosanmarco.it | |
| Teatro dell'Osservanza | Imola | b***@comune.imola.bo.it |
| Teatro Spazio Bixio | Vicenza | i***@teatrospaziobixio.com |
| … 498 additional contacts in full in the complete pack | ||
Preview of 8 contacts only, emails partially masked. The complete pack contains 506 contacts with full emails.
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Italy is the birthplace of opera, and this tradition is reflected in the exceptional density of its stages — there is probably no other country in the world with as many theatres per capita. This pack brings together 506 catalogued and verified Italian teatri and performing arts centres, spread across the entire national territory — from the great opera temples such as La Scala in Milan or the San Carlo in Naples, to provincial municipal theatres, auditoria, cultural centres and multidisciplinary stages.
These venues programme across the full season — October to June for the majority — offering classical and contemporary music concerts, recitals, opera productions, musicals, dance and hybrid formats. Unlike summer festivals, theatres offer programming spread over nine months of the year, making it possible to plan a tour outside the peak season.
The diversity of these venues is a strength: a chamber quartet can target small-capacity concert halls, a lyric singer can approach medium-sized opera theatres, and a live performance company can target municipal cultural centres looking to diversify their artistic offering.
This pack is designed for artists who want to build a lasting presence on Italian stages, beyond the summer season alone:
The Italian theatre market is fragmented across public structures (teatri comunali), opera foundations, regional circuits and private halls. Identifying the right contacts — artistic director, general director, programmer — is a lengthy and complex task, all the more so as Italian institutional websites do not always make direct contact easy.
For artists who wish to entrust prospecting to a professional, our direct outreach service drafts the presentation letters and manages follow-ups with theatre management.
The Italian theatrical season (autumn–spring) is planned between March and June of the preceding year. Sending your artistic dossier in spring for the following season is the best timing. For major opera foundations (which programme 18 to 24 months ahead), you need to plan even further in advance.
Our detailed advice on writing your artistic dossier is available in our methodology.
Volume: 506 contacts — Price: €59 incl. VAT, secure payment, instant delivery.
The major national opera foundations are included in the file. However, their application process is specific and highly selective — they generally work with accredited artistic agencies for their main productions. This pack is particularly effective for approaching medium-sized municipal theatres and cultural centres, which are more accessible to an artist applying directly.
Yes. The file includes two segments: teatri proper (performance halls with a stage) and centri spettacolo — municipal cultural centres, multipurpose auditoria, association spaces dedicated to the performing arts. This diversity allows you to target both formal stages and more experimental or multidisciplinary venues.
Absolutely. Many Italian municipal theatres programme a children's season (teatro ragazzi) alongside their adult season. If your project is aimed at young audiences, mention it clearly in your presentation email — this can open additional opportunities at venues looking to diversify their family programming.
The two packs are complementary. Theatres programme across the full season (autumn–spring) in a formal setting with ticketed box office. Festivals operate mainly in summer, often outdoors, with a separate programming budget. Combined, the two packs give you complete coverage of the live performance market in Italy year-round.
Yes, a courteous follow-up 3 to 4 weeks after your first email is recommended. Theatre artistic directors receive many applications, and a well-written follow-up demonstrates your professionalism and motivation. Our direct outreach service includes follow-up management as part of its offering.
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